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Calon arang dance performance with the play of geseng waringin at getakan customary village

I Wayan Sugita

Calon Arang dance drama with the play of “Geseng Waringin” staged at Getakan customary village, showed that there were tense and rare scenes occurred. It was burying a person who played bangke matah alive. “Geseng Waringin” Calon Arang dance drama story was taken from Calon Arang’s literary work. But in characterization, there were a lot of changes. The Calon Arang character in the dance drama called “Matah Gede” and played by male dancers. The Ratna Manggali’s character in the dance drama had a servant called “Inya” or “Condong” which in literary work those characters were not found. The Celuluk (hideous creature) figure were present in the dance drama show, and the character was also not in the literary work. Likewise, in the dance drama performances, there are characters of Punta and Wijil as servants of Mpu Bahula which in literary work they did not exist. The structure of dance drama performances started with Barong dance and Jauk Manis. Then, it was followed by the scrambling of Nircaya Lingga holy book by Mpu Bahula. The next scene is burying corpse and the fight between Calon Arang and Pandung. About the characterization, some characters in Calon Arang literary work were not presented, like Mpu Baradah, Wedawati, and her mother. On the contrary, in the dance drama performances, there were additional characters like Punta, Wijil, Inya (Condong), and Celuluk. Some villagers who were not the core players in the dance drama also took part in carrying the dead body, bathe the corpse, play the angklung gamelan, singing the death ballad, and anything related to funerals. The story was ended by the revenge of Calon Arang attacking Mpu Baradah scene.

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